فلسفة التفـكيـكيـة في العمارة الداخلية المعاصرة
DOI:
https://doi.org/10.64095/jma.v4i12.264Abstract
Abstract
When studying the historical sequence of architectural movements starting from the movement of modernity, postmodernism, structuralism and beyond, to the deconstruction associated with human instinct and his own taste, which calls for revealing and deciphering the layers of construction in a philosophical way to search for the main idea of design, despite the rejection of many of this method as a mere disaster Aesthetics and new concepts in a provocative fashion because of the exaggeration of the author's idea, on the other hand, it was applied by a group of designers because it is a metaphysical intellectual trend that means searching for beauty in itself without any requirements in the design.
The study aimed to clarify the elements and relationships of the formation of the deconstructive movement in order to search for the meanings and overtones of it, to reach the philosophical vision and the aesthetic values of this movement in contemporary interior architecture, to define its features, characteristics and plastic capabilities, and to deepen the knowledge of its aesthetic thought and its role in launching artistic performance and liberating it from the constraints of academic conformity. Previous in the field of interior architecture. This is done through the process of scientific description and analysis of the information obtained.The study concluded that the various plastic possibilities of deconstruction (elements, relationships and means of formation) through which designers address ideas to reformulate design concepts based on implicit meanings and overtones, and that the aesthetic values and the philosophical vision of deconstruction are limited to what is shown by the data of the contemporary interior architecture space according to a sense of beauty and sensory perception without It follows the classical rules of aesthetic criteria among the elements of the formation. Keywords: deconstruction, space, aesthetic thought, fractalism, plastic capabilities
