قراءة في النقد المسرحي الليبي مقترح لآليات الكتابة ما وراء النقدية

Abstract

Abstract:

This research essentially boils down to discussing some texts in a decidedly Libyan way, challenging them aesthetically and poetically, dissecting them from a vision where their origins appear, and trying to find critical approaches in directing them as much as possible, but as long as Libyan medicine, despite its antiquity and abundant production, especially in the future Close to our current century, what succeeded in its critical movement, and with its technical, critical, and aesthetic mechanisms, is this theater, in which the beginnings of theatrical production go back to the beginning of the last twentieth century, in the year 1908, as the first Libyan theatrical performance, in the city of Tripoli, and from there to the success of Libya. As the important beginnings of the Libyan Syndicate Theater in the year 1927 in the city of Benghazi, then in Tobruk in 1928, and then to the integrated performances in the city of Derna in the year 1930 Then the performances continued, and after that this Libyan theater developed, in its current form to our days, so the researcher in this paper focused his attention on critical and post-critical concepts (criticism of criticism) because he found it important in it, which may help guide Libyan critics interested in the movement.